Incantations For Tape - Precocious Noise and Early Electronica Pt.1 - LP, CD
Clear Translucent Blue Vinyl • Limited Edition
Sound Miracle Recordings
2 novembre 2018
Espagne
Product information ATTENTION! This compilation is for those unfamiliar with the fascinating world of primary electronics, noise, sound design, industrial, avant-garde, tape music... you name it. This set hopes to be a gateway to a whole new revolutionary sonic experience. These are relics that have something to say to the contemporary listener ...
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Nous avons modifié la nomenclature de la pile. Les articles livrables dans une semaine sont désormais "En stock chez le fournisseur". Les articles livrables dans les deux semaines sont désormais "En stock chez l'éditeur".
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Détails
| Titre | Incantations For Tape - Precocious Noise and Early Electronica Pt.1 LTD | CLR |
| Artiste | Various |
| Plus d'informations sur les disques vinyles | Clear Translucent Blue Vinyl • Limited Edition |
| Format |
LP (e)
CD |
| Maisons d'édition | Sound Miracle Recordings |
| Pays d'édition | Espagne |
| Date de sortie | 2 novembre 2018 |
| Première mise sur le marché | 2018 |
| Poids | 315 g |
| EAN | 8435008887001 |
| Identifiant du produit | 66518 |
| ID Discogs | 12762587 |
| Critiques Discogs |
4.57
|
Various: Incantations For Tape - Precocious Noise and Early Electronica Pt.1 LTD | CLR La version sur Le vinyle LP/CD en Limité Coloré édition. Cette édition particulière a été publiée en Espagne dans la maison d'édition Sound Miracle Recordings Le 2 novembre 2018.
Product information ATTENTION! This compilation is for those unfamiliar with the fascinating world of primary electronics, noise, sound design, industrial, avant-garde, tape music... you name it. This set hopes to be a gateway to a whole new revolutionary sonic experience. These are relics that have something to say to the contemporary listener because they sound incredibly far ahead of their time(s) and ours. Revolutionary because much of the material included has pushed and continues to push the very definition of what music is. Some of the aspects that are common to all of this music are the complete abandonment of traditional forms of composition or produced sounds; the complete abandonment or detachment from traditional forms and the absence of conventionally produced sounds. This really represents everything new and revolutionary that we have come to expect since the beginning of the postmodern era. The fact that they still sound new, fresh, powerful and challenging today is a testament to this revolutionary nature. Here are examples of the techniques and sound systems that have shaped modern music as we know it today. These are the first ever examples of looping a song, playing a song backwards, or using many of the other effects that are so common for musicians today. Some of the examples here can also be considered some of the earliest forms of New Age, with artists using raw techniques to create some of the first deliberately ambient and hypnotic compositions. The selection begins in the 1920s, nearly a century ago_and ends in the early 1960s, before the more modern era and all its recording innovations and marketing strategies. The tracks are arranged to provide a coherent and surprisingly easy way to enjoy and appreciate this potentially confusing area of music - to provide the listener with some of the most multilayered (in all senses of the word) experiences. Thanks to advanced 21st century techniques, every track here has a low noise level that has been achieved without loss of palpability or dynamic range. These recordings sound fantastic: lush, thrilling, groundbreaking and adventurous. Enjoy the ride.
Album couvre tous les genres Musique électronique et Early. Clear Translucent Coloured Vinyl.
Product information ATTENTION! This compilation is for those unfamiliar with the fascinating world of primary electronics, noise, sound design, industrial, avant-garde, tape music... you name it. This set hopes to be a gateway to a whole new revolutionary sonic experience. These are relics that have something to say to the contemporary listener because they sound incredibly far ahead of their time(s) and ours. Revolutionary because much of the material included has pushed and continues to push the very definition of what music is. Some of the aspects that are common to all of this music are the complete abandonment of traditional forms of composition or produced sounds; the complete abandonment or detachment from traditional forms and the absence of conventionally produced sounds. This really represents everything new and revolutionary that we have come to expect since the beginning of the postmodern era. The fact that they still sound new, fresh, powerful and challenging today is a testament to this revolutionary nature. Here are examples of the techniques and sound systems that have shaped modern music as we know it today. These are the first ever examples of looping a song, playing a song backwards, or using many of the other effects that are so common for musicians today. Some of the examples here can also be considered some of the earliest forms of New Age, with artists using raw techniques to create some of the first deliberately ambient and hypnotic compositions. The selection begins in the 1920s, nearly a century ago_and ends in the early 1960s, before the more modern era and all its recording innovations and marketing strategies. The tracks are arranged to provide a coherent and surprisingly easy way to enjoy and appreciate this potentially confusing area of music - to provide the listener with some of the most multilayered (in all senses of the word) experiences. Thanks to advanced 21st century techniques, every track here has a low noise level that has been achieved without loss of palpability or dynamic range. These recordings sound fantastic: lush, thrilling, groundbreaking and adventurous. Enjoy the ride.
Album couvre tous les genres Musique électronique et Early. Clear Translucent Coloured Vinyl.
Chargement...
| A1 | Kid Baltan, Tom Dissevelt: Whirling | 2:32 min | |
| A2 | Remi Gassmann: Declamation | 2:04 min | |
| A3 | Max Mathews: May Carol | 1:08 min | |
| A4 | The Blue Men: Magnetic Field | 3:10 min | |
| A5 | Attilio Mineo: Man In Art | 3:34 min | |
| A6 | Bülent Arel: Electronic Music No.1 | 8:39 min | |
| A7 | Daphne Oram: Band 5: Rhythmic Variation | 0:35 min | |
| B1 | Alwin Nikolais: Glymistry | 3:20 min | |
| B2 | György Ligeti: Articulation | 3:26 min | |
| B3 | Otto Luening, Vladimir Ussachevsky: Incantation For Tape | 2:18 min | |
| B4 | Otto Luening, Vladimir Ussachevsky: Invention In Twelve Tones | 3:40 min | |
| B5 | Henk Badings: Arioso | 2:18 min | |
| B6 | Phil Young: Science & Industry | 0:29 min | |
| B7 | Gottfried Michael Koenig: Klankfiguren | 4:38 min | |
| CD | |||
| 1 | Whirling | ||
| 2 | Declamation | ||
| 3 | May Carol | ||
| 4 | Magnetic Field | ||
| 5 | Man In Art | ||
| 6 | Electronic Music No.1 | ||
| 7 | Band 5: Rhythmic Variation | ||
| 8 | Glymistry | ||
| 9 | Articulation | ||
| 10 | Incantation For Tape | ||
| 11 | Invention In Twelve Tones | ||
| 12 | Arioso | ||
| 13 | Science & Industry | ||
| 14 | Klankfiguren |
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