LP Miles Davis: Sketches Of Spain LTD | CLR

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Sketches Of Spain - LP, CD, SACD

Miles Davis

Jazz | Contemporary Jazz | Modal

1960

Variantes :

LP Miles Davis: Sketches Of Spain LTD | CLR

Blue Translucent Vinyl — DOL

DOL 11 octobre 2021 L'Europe

Album Réédition Édition limitée Vinyle coloré

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by...

En savoir plus ID : 85874 EAN: 0889397006143 Discogs ID: 14481043

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Détails

Titre	Sketches Of Spain LTD \| CLR
Artiste	Miles Davis
Plus d'informations sur les disques vinyles	Blue Translucent Vinyl — DOL
Format	LP (e)
Maisons d'édition	DOL
Pays d'édition	L'Europe
Date de sortie	11 octobre 2021
Première mise sur le marché	1960
Poids	230 g
EAN	0889397006143
Identifiant du produit	85874
ID Discogs	14481043
Critiques Discogs	4.57

Miles Davis: Sketches Of Spain LTD | CLR La version sur Le vinyle LP en Limité Coloré édition. Cette édition particulière a été publiée en L'Europe dans la maison d'édition DOL Le 11 octobre 2021.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album couvre tous les genres Jazz, Contemporary Jazz et Modal. 180g High Quality Coloured Blue Translucent Vinyl Limited Edition.