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Wmme Alsdorf
Reprise Records
2 mars 2000
L'Europe
Album
Joni Mitchell's seventeenth studio album was released in 2000 and won two Grammy Awards the following year. In the liner notes, co-producer Larry Klein describes the album as "a programmatic suite that follows a relationship from initial flirtation through optimistic fulfillment, metamorphosis into disillusionment, ironic despair, and finally re...
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11,69 €
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Détails
| Titre | Both Sides Now |
| Artiste | Joni Mitchell |
| Plus d'informations sur les disques vinyles | Wmme Alsdorf |
| Format | CD |
| Maisons d'édition | Reprise Records |
| Pays d'édition | L'Europe |
| Date de sortie | 2 mars 2000 |
| Première mise sur le marché | 2000 |
| Poids | 85 g |
| EAN | 0093624762027 |
| Identifiant du produit | 5662 |
| ID Discogs | 1114740 |
| Critiques Discogs |
4.16
|
Joni Mitchell: Both Sides Now La version sur CD en Norme édition. Cette édition particulière a été publiée en L'Europe dans la maison d'édition Reprise Records Le 2 mars 2000.
Joni Mitchell's seventeenth studio album was released in 2000 and won two Grammy Awards the following year. In the liner notes, co-producer Larry Klein describes the album as "a programmatic suite that follows a relationship from initial flirtation through optimistic fulfillment, metamorphosis into disillusionment, ironic despair, and finally resolution in a philosophical exploration of acceptance and the likelihood of the cycle repeating itself." This is Mitchell's first album largely composed of material by other composers, and the first on which he performs with an orchestra (the London Symphony) rather than a band. Most of the songs are pop standards from the '30s and '40s, which together form a story about the arduous journey of love.
Album couvre tous les genres Jazz, Vocal et Contemporary Jazz. Wmme Alsdorf.
Joni Mitchell's seventeenth studio album was released in 2000 and won two Grammy Awards the following year. In the liner notes, co-producer Larry Klein describes the album as "a programmatic suite that follows a relationship from initial flirtation through optimistic fulfillment, metamorphosis into disillusionment, ironic despair, and finally resolution in a philosophical exploration of acceptance and the likelihood of the cycle repeating itself." This is Mitchell's first album largely composed of material by other composers, and the first on which he performs with an orchestra (the London Symphony) rather than a band. Most of the songs are pop standards from the '30s and '40s, which together form a story about the arduous journey of love.
Album couvre tous les genres Jazz, Vocal et Contemporary Jazz. Wmme Alsdorf.
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